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KnollStudio®

PaperClip™ Table

Item #49T

Vignelli Designs 1994

Designed as a companion to the Handkerchief Chair and Bertoia Collection, the PaperClip Table by Lella and Massimo Vignelli uses the same material vocabulary to achieve a similar lightness and elegance.

 

Starts at: $1310

 

Call to Purchase

NYC Home Design Shop: 212 343-4190

Customer Service: 800 343-5665

 

Design & Plan

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Details

Construction and Details
  • Available with square and round table tops in varying sizes
  • Tops available in laminate, glass, and slate
  • Laminate top is 1” thick with molded urethane beveled edge
  • Clear and white tempered glass tops are ½” thick with a polished pencil edge
  • Natural cleft slate top is ¾” thick with a beveled edge
  • Base is 7/16” diameter cold rolled steel rod
  • Base available in polished chrome and black powder coat
  • Appropriate for outdoor use with black outdoor powder coat base and glass or slate top
  • Plastic glides included
Sustainable Design and Environmental Certification
  • GREENGUARD Indoor Air Quality Certified®

Dimensions

In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity and graphics program, resulting in the Knoll logo in Helvetica and the introduction of Pantone Super Warm Red as the company color. The work done for Knoll, in addition to giving us our signature graphics, launched the Vignellis to international renown as premier modern graphic designers.

In 1983 they returned to Knoll to design the Handkerchief Chair. Using compression molded plastics, they conducted a fabrication and design investigation that lasted 5 years, and ultimately captured the lightness and organic ease of a handkerchief drifting in the wind.

The firm introduced the Paperclip table in 1994 as a complement to the Handkerchief. Massimo Vignelli: “We wanted to give these chairs their own table: same lightness, same feeling, same uses.” Echoing the bent wire base of the chair, and the overall visual lightness achieved by the signature seat, the designers were able to translate the essence of what made the Handkerchief so elegant to the Paperclip Table.

Massimo and Lella Vignelli both studied architecture before founding the Vignelli Office of Design and Architecture in 1960. In 1971 they established Vignelli Associates, a vehicle for focusing on projects that incorporated their industrial, furniture and graphic design talents. Their diverse portfolio includes work for IBM, American Airlines, and Bloomingdales, the New York Subway system, and Washington, D.C.

In 1967, Bobby Cadwallader retained Massimo Vignelli to create a new graphics program for Knoll. The resulting designs, based largely on a grid, provided the foundation for all basic communication needs, including stationery, business cards, stickers, tags, boxes, brochures and four-color ads for trade magazines and publications like The New Yorker, Vogue and Fortune.

As recognizable and successful as the work of his predecessor Herbert Matter, Vignelli’s Knoll advertisements, pricelists and branding efforts gave Knoll an international graphic identity that became the industry standard.

Massimo Vignelli once described the Knoll assignment as "the most exciting, rewarding" of his professional career. Perhaps the greatest measure of the program’s success is the extent to which it continues to inform the company's public identity to this day.