Retail Price:

Customize & Purchase

Florence Knoll Relaxed Lounge Chair

Florence Knoll 1954

Florence Knoll’s classic lounge chair is now available in a softer version for a more relaxed sit. Consistent with all of Knoll’s designs, it has a spare, angular profile that reflects the objective perfectionism of modern design in the early 1960s.

Retail Price:

Estimated Ship:
Quickship  2-3 weeks
SHARE THIS CONFIGURATION
Close
Added item to your shopping cart!

    Details

    Construction and Details
    • Exposed metal frame and legs in heavy gauge steel with polished chrome finish
    • Inner frame is solid wood
    • Seat suspension with springs
    • Arm, seat and back cushions multi-density foam
    • Pieces upholstered in leather have matching buttons
    • Pieces upholstered in fabric do not have buttons
    • KnollStudio logo and Florence Knoll’s signature are stamped into the base frame
    • GREENGUARD Indoor Air Quality Certified®
    Notable Differences from Standard Florence Knoll Lounge Collection
    • Seat and back covering is tufted and covered with polyester fiberfill to enhance comfort
    • Cushions are not welted
    • Back Cushions are attached with a zipper and can be removed
    Additional Options Available by Phone (See Below)
    • View Approved KnollTextiles
    • Available in a range of  Spinneybeck® leathers
    • Base in satin chrome

    Dimensions

    Order by Phone

    Interested in finishes, sizes or combinations not available above?
    Call or visit our Home Design Shops to work with an expert and place your customized order.

     

    NY Home Design Shop
    M-F 11-7, Sat 11-6 EST
    212 343-4190

    nyknollshop@knoll.com
    Learn More

    LA Home Design Shop
    M-Sat: 10-6pm PST
    310 620-2680
    laknollshop@knoll.com
    Learn More

    Knoll Shop Customer Service
    M-F 8-5 EST
    800 343-5665
    shopservice@knoll.com
     

    Join our Newsletter

    Sign up for our Knoll Shop newsletter for inspiration and updates regarding new products, expanded finishes and upcoming sales and promotions.
     

    As head of the Knoll Planning Unit, Florence Knoll always approached furniture design with the larger space in mind. Most important to her was how a piece fit into the greater whole — the room, the floor, the building. Every element of a Knoll-planned space supported the overall design and complemented the existing architecture.

    Never one to compromise, Florence would often design furniture when she “needed the piece of furniture for a job and it wasn’t there.” And while she never regarded herself as a furniture designer, her quest for harmony of space and consistency of design led her to design several of Knoll’s most iconic pieces—all simple, none plain.

    As skyscrapers rose up across America during the post-war boom, Florence Knoll saw it as her job to translate the vocabulary and rationale of the modern exterior to the interior space of the corporate office. Thus, unlike Saarinen and Bertoia, her designs were architectural in foundation, not sculptural. She scaled down the rhythm and details of modern architecture while humanizing them through color and texture.

    Her lounge collection, designed in 1954, is a perfect example of her restrained, geometric approach to furniture, clearly derived from her favorite mentor, Mies van der Rohe. Knoll introduced the Florence Knoll Relaxed Seating collection in celebration of the designer’s 100th birthday, offering the same spare, elegant proportions as Shu's classic furniture, now with a softer, deeper sit.

    Born to a baker, and orphaned at age twelve, Florence Schust grew up Saginaw, Michigan. Schust demonstrated an early interest in architecture and was enrolled at the Kingswood School for Girls, adjacent to the Cranbrook Academy of Art.

    While at Kingswood, Florence befriended Eilel Saarinen, whom she would later study under at Cranbrook. Warmly embraced by the Saarinen family, Florence seeded in Michigan the foundations of her incredible design education and pioneering career. Florence went on to study under some of the greatest 20th century architects, including Gropius, Breuer, and Mies. In 1941 Florence moved to New York where she met Hans Knoll who was establishing his furniture company. With Florence’s design skills and Hans’ business acumen and salesmanship, the pair, who married in 1946, grew the nascent company into an international arbiter of style and design. In creating the revolutionary Knoll Planning Unit, Florence Knoll defined the standard for the modern corporate interiors of post-war America.

    After the tragic death of Hans Knoll in 1955, Florence Knoll led the company as president through uncertain times. In 1960 she resigned the presidency to focus on directing design and development and, in 1965 after pioneering an industry and defining the landscape and aesthetic of the corporate office, Florence Knoll Bassett (she remarried in 1957) retired from the company. Her contributions to Knoll, and to the rise of modernism in America, are immeasurable.