Skip to main content directly Skip to Site Search Skip to Footer menus
Turn High Contrast On

Newson Aluminum Chair

Marc Newson 2018

Honoring the cantilevered chairs of Ludwig Mies van der Rohe, the Newson Aluminum Chair, 90 years later, is a forward-looking expression that synthesizes simplicity, material and precision, in the Modernist tradition.

SHARE THIS CONFIGURATION

Details

Construction and Details
  • Mesh seat and back are knitted using two components: polyester yarn, which adds color and a soft hand, along with thermoplastic elastomer which provides the structural element
  • Back mesh is held in place with fiberglass-reinfoced nylon insert with medium grey or black finish
  • Frame is die cast aluminum
  • Nylon glides included
  • Stacks up to four high
Sustainable Design and Environmental Certification
  • Certified Clean Air GOLD
Awards
  • #MetropolisLikes NYCxDesign Award
  • Interior Design Magazin HiP Award, NeoCon 2018

Dimensions

We're here to help

Interested in finishes, sizes or combinations not available above?
Have questions about how a fabric feels? Not sure if something is going to fit?
Our Home Design experts are here to answer questions and place custom orders.

Let's Connect

Newson and Benjamin Pardo, Knoll Design Director, agreed that a new side chair for Knoll would honor the aesthetic principles that inform the existing portfolio of Knoll Seating, specifically the cantilevered designs.

Newson and Pardo revisited several Knoll designs, starting with Mies van der Rohe’s Brno Chair. While the Brno Chair served as a catalyst for the exploration, it was ultimately the 1928 Tugendhat Chair that most inspired Newson’s final design. Pardo explained, “Newson’s Aluminum Chair really pays tribute to Mies’s Tugendhat Chair, employing a similar reverse cantilever. This reverse cantilever evokes a visual weightlessness and renders an incredibly simple profile, where the seat floats effortlessly and is joined to the back via the legs of the chair.” 

“We wanted to reimagine the tubular steel construction revolutionized at the Bauhaus–which is transitively tied to Knoll–with Newson’s unique ability to imagine organic, almost futuristic shapes,” Pardo recalled.

With this in mind, Newson forwent tubular steel in favor of cast aluminum, a material he felt allowed for a more dynamic form. The chair consists of three high-pressure castings–a main frame and two end caps–which connect to create a remarkably simple, yet structurally sound frame. To Newson’s liking, the complexity of the engineering is made invisible through mechanical precision and streamlined design.