Pollock Arm Chair

Charles Pollock 1960

Designed in 1960 and originally manufactured from 1964-79, the steel and leather ‘sling chair’ or '657', as it is commonly referred to, offers a refined combination of materials and finishes. Tubular steel legs connect to cast-aluminum arms and stretchers with exposed hardware, exemplifying Pollock’s ‘honest’ approach to design. Reintroduced 2014.

Finishes

Sling available in all Spinneybeck Belting Leather Colors. Seat pad available in Portofino. 

  • color Black
  • color Fudge
  • color Chocolate
  • color Eggplant
  • color Umber
  • color Warm Beige
  • color Brown
  • color Khaki
  • color Taupe
  • color Putty
  • color Cream
  • color Medium Grey
  • color Gun Metal
  • color Light Grey
  • color Smoke
  • color White
  • color Deep Purple
  • color Deep Green
  • color Key Lime
  • color Lemon Meringue
  • color Sunshine
  • color Sweet Potato
  • color Dark Salmon
  • color Simply Red
  • color Cinnamon
  • color Dark Mustard

Dimensions

Additional Info

Construction and Details
  • Sling is Spinneybeck Belting Leather, available in 27 colors
  • Seat pad is urethane cushion with Spinneybeck Portofino leather
  • Arms and stretchers are cast aluminum with black painted finish
  • Legs are tubular steel with polished chrome finish

Configure Pollock Arm Chair

The configurator below is for reference purposes only. All options, finishes and sizes may not be represented.
For the complete scope, please refer to the KnollStudio price list.


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Pollock describes the chair’s inception:

“I was penniless, didn’t have a car and I was making my prototypes out of plumbing that I pulled out of an old, abandoned basement. I brought all these prototypes in [to Knoll] without an appointment and pushed them off the elevator and said, ‘I want to see Florence Knoll.’ Fortunately for me, [Senior Designer] Vincent Cafiero came out just by accident, and he said, ‘Who are you?’ I said, ‘I’m Charles Pollock.’ I had had a major article in Interiors, in a series of articles about Saarinen, Eames, and myself about three or four months before, and he had read that…. So Cafiero said, “Look, this stuff is interesting. Why don’t you take this idea and throw this other idea into it?” Eventually, between Vincent Cafiero and myself, I developed a quarter-inch scale model of a chair that was very, very similar to…the 657 chair. That was the beginning…. And the rest is history.”


LEARN MORE ABOUT CHARLES POLLOCK'S CHAIRS

After graduating from Pratt Institute and working with George Nelson, Charles Pollock assembled a portfolio of designs and presented them to Florence Knoll. Planning Unit member Vincent Cafiero saw promise in a leather and steel lounge chair and encouraged Pollock to keep working on the design. The 657 Lounge, as it was introduced in 1961, showed the young designer’s precision handling of line, form, and materials.

Pollock again demonstrated his command of line and material when he conceived the 1250 series executive collection, introduced in 1965. His idea for the chair was to use an aluminum “rim,” which outlined the chair as the main structural and design element. This rim would hold the parts together, without any further support; slots in the aluminum held the back shell and the upholstery in place, and the plastic back became rigid only after being fitted into the frame. The resulting design was an achievement in structure and aesthetics, and the chair remains a Knoll classic to this day.

KNOLL REMEMBERS CHARLES POLLOCK