Item No.
100493597
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Item No.
100493597
The Bertoia Side Chair is an icon of mid-century modern design. Bertoia found sublime grace in an industrial material, creating a design that works with every decor, in every room.
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Black
Blue
Gold
Green
Orange Red
Polished Chrome
White
Yellow
None
None -
None
Classic Boucle
Chartreuse
Crimson
Neutral
Onyx
Pearl
Yam
Ardent
Fiery
Rover
Transit
Arcane
Inform
Hourglass
Air
Caviar
Flame
Indigo
Iron
Latte
Mocha
Sandbar
Spring
Sunshine
Ultrasuede
Black Onyx
Cement
Midnight
Placid
Silver
Chinchilla
Volo Leather
Black
Cadet
Chocolate
Flint
Ivory
Mink
Parchment
Russet
Toast
Crossroad
Almond
Cabana
Gravel
Leaf
Mineral
Ocean
Paprika
Pearl
Zest
Moon Light
Utopia
Atlantic
Carbon
Evergreen
Fossil
Porcelain
Skylight
Prairie
Bison
Cottontail
Evergreen
Opal
Red
Sunflower
Riverbed
Orange Burst
Leather
Black
Dark Brown
Natural
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- Rilsan finish (not Chrome) is suitable for outdoor use.
- Prairie seat pads are suitable for outdoor use.
- Optional seat pad secures to chair with metal snaps.
- Designer
- Harry Bertoia
- Collection
- Bertoia Collection
- General Dimensions
-
- 28¾" H 21¾" W 19¾" D
- Product Weight
- 26 lbs
- Assembly
- Comes fully assembled
- Warranty
-
5-Year Warranty
Terms and conditions apply. Learn more
- Item No.
- 100493597
Bertoia Side Chair
- Height (in): 28¾
- Width (in): 21¾
- Depth (in): 19¾
- Weight (lbs): 26
- Seat Height (in): 17¾
- Seat Width (in): 21
- Seat Depth (in): 17¾
- Welded steel rod seat
- Polished chrome or bonded Rilsan base
- Optional foam seat pad or full seat cover
- Vinyl, fabric, or leather upholstery
- Plastic floor glides
- Notification of Filling Contents 1, Notification of Filling Contents 2
Shipping Options
- Ships via FedEx
Return Options
Not satisfied with your purchase? You have 30 days to return your order. Learn more.
Harry Bertoia
Italian sculptor and furniture designer Harry Bertoia and Florence Knoll (then Schust) met as students at Cranbrook Academy of Art. Upon joining the team at Knoll, Bertoia was given free rein to experiment with the medium of his choice. He chose metal. “When it came to rod or wire, whether bent or straight, I seemed to find myself at home,” he said.
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