Overview
Item No. 2552085
Designed by Harry Bertoia

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Item No. 2552085
Designed by Harry Bertoia

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The Bertoia Molded Shell Stool is a reintroduction of a design originally debuted 1960. Merging the sublime grace of the wire-form base with a touch of color and natural flex, the reinvigorated classic is ready to add colorful accents to any room. Mix and match the stools or keep a singular color palette, the Bertoia Molded Shell Barstool offers an iconic design with a playful tone. Bar height stools are best paired with tables and counters that are 40-43" high. More Details

Product Summary

Shipping + Delivery
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Shipping Details
Authenticity Guaranteed

Authenticity Guaranteed

This is an original, authentic Knoll product.

Warranty

Backed by the Knoll Warranty

Terms and conditions apply. Learn more

Made for You

Made for You

Offered in a range of materials and finishes, many of which are made to order.

Manufacturer SKU:
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Details
Details
  • Match the seat with the frame or mix them up for a change of pace.
  • A comfortable, sculptural form.
Designer
Harry Bertoia
Collection
Bertoia Collection
General Dimensions
  • Bar Height: 41¼" H 21¾" W 22" D
  • Counter Height: 38½" H 21¾" W 22" D
Assembly
Comes fully assembled
Warranty
5-year warranty (terms and conditions may vary)
Item No.
2552085
Dimensions
Bar Height

Bar Height

  • Height (in): 41¼
  • Width (in): 21¾
  • Depth (in): 22
  • Seat Height (in): 29¼
Counter Height

Counter Height

  • Height (in): 38½
  • Width (in): 21¾
  • Depth (in): 22
  • Seat Height (in): 25
  • Seat is molded polypropelene
  • Welded steel rod base with black or white bonded Rilsan® finish
  • Plastic floor glides

Shipping Options

  • Threshold Delivery, In-Home Delivery

Return Options

Not satisfied with your purchase? You have 30 days to return your order. Learn more.
Harry Bertoia

Harry Bertoia

Italian sculptor and furniture designer Harry Bertoia and Florence Knoll (then Schust) met as students at Cranbrook Academy of Art. Upon joining the team at Knoll, Bertoia was given free rein to experiment with the medium of his choice. He chose metal. “When it came to rod or wire, whether bent or straight, I seemed to find myself at home,” he said.

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