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    k. screen Contour

    k. screen Contour offers a soft, tackable touchpoint at the desk. With the option for levels of enclosure, multiple materials, and the ability to mount at varying heights, Contour is adaptable to a variety of individual privacy needs.

    Adaptable design

    Available in a variety of mounting options, k. screen Contour can be used on any table or desk with a flat edge regardless of a table’s support structure or accessories mounted under the top.

    Material and scope breadth

    With acoustic dampening properties, k. screen Contour comes in fabric and PET, as well as a variety of shapes to create different levels of privacy.




    Screen is fabric, mounting brackets available in all textured core paints.

    • color Edo, Frost
    • color Rhino
    • color Porpoise
    • color Koala
    • color Bright White - Textured
    • color Soft Grey - Textured
    • color Folkstone Grey - Textured
    • color Sandstone- Textured
    • color Medium Grey - Textured
    • color Dark Grey - Textured
    • color Brown - Textured
    • color Jet Black - Textured
    • color Beige Mist Metallic - Textured
    • color Medium Metallic Grey - Textured

    Contour in PET Details

    • Screens attach with two mounting brackets along the back, and two on each side
    • Screens 66" and larger require three mounting brackets along the back.
    • Back mounted brackets
      • Compatible with any table with a flat edge
      • Screen + Bracket thickness: 1.75" including 1.25" cord drop along the back edge
    • Side mounting brackets
      • Compatible with both rectangular and radius corner worksurfaces
      • Side screen + bracket thickness: .875" including .375" gap between worksurface and screen
    • Premium bracket options available in all core textured paint


    Brochures & Product Literature

    Pricing Information

    Sustainable Design

    Antenna Design was founded in 1997 by Masamichi Udagawa, a Cranbrook Academy graduate, and Sigi Moeslinger, who holds degrees from NYU and Art Center College of Design. Antenna's people-centered design approach aims to make the experience of objects and environments more meaningful and exciting. Among Antenna’s best known projects are the design of New York City Subway cars and ticket vending machines, JetBlue check-in kiosks and displays for Bloomberg.

    When Knoll set out to create a new open plan office system, Antenna’s experience with the ever-expanding presence of technology, and their expertise in user experience made them an attractive collaborative partner. Together Knoll and Antenna conceived Antenna Workspaces, an innovative open plan system, which reflects Udagawa and Moeslinger’s interest in functional simplicity and their expertise in using design as a tool of social interaction that bridges people and technology.

    Antenna has been recognized with several prestigious design awards, including the National Design Award in Product Design from the Cooper-Hewitt National Design Museum. Both Udagawa and Moeslinger are senior critics in graphic design at the Yale University School of Art.