Marc Krusin: “The tables were part of the same development as the chairs. The chairs really inspired them in a way, inspired the detailing within that cube. The main structure is all being made in the USA, by a great bunch of guys who were so flexible throughout the whole design process — so fast and extremely talented. They were always available to make all the petty modifications that, between myself and Bejamin Pardo, the Design Direction, were thrown at them.
“Personally I would always try to strive for something that is clean, that is visually silent, to study and rework, and tweak the proportions and the details to such a refined level that it becomes as perfect as it can be within that framework.
“I see it as being a design that can fit into a lot of scenarios. To me, there is something very noble about an object that sits within a space not shouting for your attention, but blending into it. The outcome is absolutely contemporary, but at the same time absolutely classic and absolutely timeless.”